" At last I
reached the source of the trail of smoke. It came
from a feeble fire, from a pile of ashes, and was
nearly out. All around lay the bodies of dead
rotten people, tens of them. I felt sick. The
sight terrified me, although I had seen it many
times before. All at once I noticed something.
One of the bodies moved. That person was still
alive!
" I stumbled off towards the person and bent
down to see how badly the plague had struck this
victim. It was a woman and she seemed nearly
dead. The only thing that prevented me from
thinking so was that she still breathed faintly.
I dragged away the dead bodies, rekindled the
fire, and at that very spot began to nurse her
back to health. I spent long agonising days and
nights by her side. One minute it seemed as
though her luck had run out, the next she seemed
a little better. Tired after sleepless days and
nights, I dropped off, and when I awoke it was to
hear the faint sound of her voice. I thanked the
Lord for his miracle.
" Together we built ourselves a hut near a
river and lived there for some time. We were
happy. We considered ourselves as the
reincarnation of Adam and Eve and called
ourselves by these names. Then you were born; we
called you ' Abel' and brought you up with much
love and care. We explored the land around us and
made an occasional visit to a town to scavenge
what we could.
" Alas, we went there once too often. The
plague had not worn off, and your Mother caught
it again and died. Again I was alone except for
you, the rest you know. You know how we lived for
ourselves, hoped that life was not yet finished,
and that all is not in vain, as it seems. But,
remember, my son, never give up. When I die, go
on, scour the land. Look for people. Don't give
up. Start a new civilization and God bless
you."
I closed my eyes to stop the tears. Then the two
of us got up and walked along the rail, track
into the setting sun. I bent over my staff; my
son holding his bow and arrow.
P. SAMSON (5L)
"ARMS
AND THE MAN"
A play written against the
background of Victorian England could be expected
to be a satirical success at the time, because it
turned upside down and inside out the prevailing
ideas of honour, chivalry and romanticism. In the
production by the Whittingehame College Dramatic
Society, it was surprising to discover that in
spite of -or perhaps because of the modem fashion
for satire the play seems entirely
contemporary. Although some of the targets for
its satire can no longer cause great
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